Many independent productions, from short films to larger projects, ask themselves at one point if they need a lawyer. The entertainment business can be complicated, and most productions should consider hiring one. A good production attorney can help a production with the following common needs and more:
Obtaining production insurance, which normally requires a script clearance report. A production attorney can produce one of these for you, highlighting potential areas of liability.
Drafting and reviewing contracts. Professional productions produce a lot of contracts. There will, and should be, contracts with actors, crew, and many of the other people involved in the production. Contracts written by people other than lawyers often have fatal flaws that do not protect your production. Contracts are esoteric and complicated, but that’s what production lawyers are trained for.
Intellectual property concerns. From licensing agreements for music to copyrighting the product itself, intellectual property is the fuel that powers the entertainment industry. Production attorneys navigate this twisting area for you.
Freeing up your time. You want to make movies. You don’t want to spend most of the time you could be doing that reading contracts and dealing with complex legal questions. Think of a production lawyer as another member of the crew: you hire them because they have expertise and allow everyone else to do the job that they were hired to do.
Most productions should consider hiring a good production attorney. By the time you realize how complex the legal issues of your production are, it may be too late. The Law Firm of Dillon McCarthy can help you from pre to post-production for an affordable rate targeted directly to independent filmmakers.